VRA 2025 Land Acknowledgement
Portland is the traditional home of a diverse group of Indigenous Americans including the Multnomah, Wasco, Cowlitz, Kathlamet, Clackamas, Bands of Chinook, Tualatin, Kalapuya, Molalla, and many others who lived along the Columbia River. Today, Portland is home to a large and diverse Indigenous community. As the Visual Resources Association gathers in Portland for our 2025 Annual Conference just prior to Indigenous People’s Day, we acknowledge and pay respect to Native people of Portland, past and present.
The Visual Resources Association acknowledges an enduring legacy of colonialism in the practices, hierarchies, and technologies inherent to cultural heritage work. As such, it is incumbent upon us to recognize and lessen the ongoing, harmful impact of settler colonialism. This, however, is not a statement of passivity. As a profession, there are things each of us can do.
What members of VRA can do:
1. Support and uphold ethical stewardship:
- engage in critical cataloging
- pursue equitable partnerships
- decenter “neutrality”
- appropriately enhance the visibility of underrepresented artists
- create a harmful language statement
- facilitate the repatriation of stolen collections
- work to mitigate the climate impact of visual resources work
2. Support the hiring, retention, and promotion of BIPOC colleagues
3. Join the Equitable Action Committee
Material Support
In support of the Oregon Native community, we encourage attendees to explore and support Native arts and businesses during their visit:
Resources for Self-Education:
About Oregon
Identity, Resistance, and Belonging: A Policy History of Native Americans in Portland, Oregon
Leading with Tradition: Native American Community in the Portland Metropolitan Area
About Visual Resources Work
Best Practices in Authority Work Relating to Indigenous Nations in the U.S.
Creating subject headings for Indigenous topics : a culturally respectful guide
Identifying Culturally Sensitive American Indian Material in a Non-tribal Institution
Recruitment, Retention, and Experiences of Art Library Professionals
Toward a Decolonial Archival Praxis: Digitizing the Lloyd Best Archive in Trinidad and Tobago